|
|
|
|
Defiled
On feet like a toddler’s I stand, Afraid of my next step Unsure of what awaits my tread, in the hands of my children You whom I entrusted with my life, Have now betrayed me.
I blessed you with all I denied your counterparts In Nations of pompous affluence I have given you, Enviable vegetation Landscapes of breathtaking sights A fertile land, That you may not hunger and die
I endowed you with Nature’s riches Made you The Heart of Africa I made you the cynosure of Nations But you in turn chose to mock me.
You took from the wells of my wealth, That which I love most That which I reserved for you and you only, My oil of priceless worth My Black Gold
You traded it in for money, greed took your soul At the expense of my children whom I apportioned this lot To aliens not named in my will.
You played with power, With weapons of intended murder As always in your uniforms of flowing garbs, To keep my children at bay. You carted away their rights to enrich your pockets That which I gave to them, My Black Gold.
You have no conscience Feed them lies with your sweet tongue Never caring about the starvation and suffering You inflict on them. My children whom you turned to lesser mortals Witness the rat you have made them become. Scurrying for a cup of my oil, and set ablaze in the quest to survive.
You never care about the waters in my land, Nor the creatures that are becoming extinct due to your insatiable thirst. And because of your lust, You snuffed out the life of one who stood to oppose your abominations. Him whose eyes could not overlook the ills of your greed You spilled the blood of an innocent soul
You made me weep I still weep
O my children, Why do you torment my soul? Why do you rejoice in perpetuating chaos and anarchy in my land? Why do you shame me in the eyes of friends and foes?
No! I cannot!! I shall not rest till I am appeased An atonement for those poor souls you have erased from the earth
For I tell you most solemnly; A million years of payment, of a million silver coins day by day, Will not be enough to resurrect our dead.
Oil On Milk
The cold hit me with bitterness as I touched down from the plane my woollen cloth, seemingly thin to protect me ‘quite a reception for a virgin traveller’ I thought but more was the surprise to come
Every street alive with man and gadgets, as expected of a developed world paradise on earth as portrayed by all yet quiet and lonely to my heart. The frantic hurried strides of people suggested tension with every step the silent cold stares of unuttered undertones baffled my senses a great contrast to the friendly countenance of my homeland
Every man, wrapped up in his own world, unwilling to share his feelings; afraid of being pried into every man, a lone ranger.
Every meal left me hungry soon after, in my attempts to adapt my stomach the ceremonious procedures at the tables, too odd to tally with mine the “free style eating” of home, hit me with nostalgia
The act of heralding a visit, even to a brother’s, so strange I wonder if the knocks on our African doors are pesters surely I would die in-doors to the ignorance of the world, if I adapt this rule The thought of hardening myself to sorrow, to cry with my heart shielding the ocean of my pains in public… What ever happened to “tears” freely shed back home?
The constant disrespect to elders and ceaseless dislike for the aged The non-display of family ties and extensions The constant destruction of lives to unburden pent-up emotions…. Africa never prepared me for these
Now I know better, may have moulded myself to give respect to this land; the glitters and gorgeous displays of it all constitutes a façade
Truth be told…. The originality of a motherland can never be replaced.
Ala Beke
My widow’s mite got rejected by one called “friend”. A gesture once valued in Mother Land, now spelt insult and generated a bruised ego. Communication became severed, a grudge borne My crime for being Ala Beke
On salutes of “hello!” you announce what booties you receive from travelers like me, with undertones of shaming me Expressing displeasures at demands I cannot meet.
Come friend! Come this way I wish you. Experience the blues you envisage of a sojourner
Feel the coldness of man and atmosphere alike The malice behind smiles for black-bred brothers Play the hide and seek game with the law, in the race of survival Feel the life on the streets; the war to earn a penny without “permission”, Or support from a “god-father”
Feel the vacuum of family home away…. The ache of loneliness… the misery of it all
Come friend! Come this way I wish you Confess the fortune you strike Once you set foot Ala Beke.
London Bridge
Not the “collapse” chant of my nursery hood rhyme nor the display of man’s gifted handwork but an ensemble of humans as I see
Come every eight hour of a working morning, and catch a glimpse of a captivating parade. Black coats and jackets, on white skins of all sexes and sizes dominating other human colour alongside them Trotting from the “stop” of London Bridge, to the big towering buildings of the city To the likes of Oxford Circus, Monument, Aldgate, The Squares, and other blocks of business ventures. On for an hour, this walk goes
A match past of human soldier-ants in a disorderly, but interesting line as you watch aboard a bus Yet a threat to your imagination when you hear the vibrating thumps of their soles as you stand awaiting your bus Like a stampede coming down on you.
Not even the “CMS” of my renowned “Lagos” possesses such awe as this
London Bridge… Come every eight hour of a working morning and witness this feeling.
|
|
|